Relax Be Cruel

In 1983, I made a film in New York at Pier 34, an abandoned warehouse open to the elements and to anonymous homosexual encounters, with walls decorated with large murals, often of a sexual content. It was shot in 16mm B&W with an Äaton camera. At the beginning it was a fiction, the story of a marginal punk in need of housing, vaguely artist and who squatted the place. The film ...